Posts tagged “retirement

I’ll Have Another

Posted on June 9, 2012

Photo: Reuters

Photo: Reuters

I’ll Have Another will not become the 12th Triple Crown winner. The three-year-old colt was scratched from today’s Belmont Stakes when his trainer Doug O’Neill discovered a swollen tendon in his left front leg. The horse could have raced, O’Neill said, but it would have been to his detriment and so he was promptly retired from the sport. I’ll Have Another will lead the post parade this afternoon before returning to Southern California tomorrow or Monday.

Race horses cost anywhere from $200,000 to a few million dollars. Owner J. Paul Reddam purchased I’ll Have Another last year for $35,000, a relative bargain. Although the pony may not have had a big-name pedigree, he came from horses that were not only speedy, but had great stamina, a trait that would have served him well in the mile-and-a-half-long Belmont. Furthermore, the horse bore a striking resemblance to Seabiscuit (another West Coast horse who inspired a nation and went into retirement with a left front leg injury…before making a big comeback) ; he had a big heart and hated to lose.

One wonders what might have been. And one hopes that history does not forget this horse and its surrounding cast of characters. People love underdogs. In February of this year, I’ll Have Another was an unknown horse with a no-name jockey that won the Robert B. Lewis Stakes with 43-1 odds. Within months of that victory, he became a rock star. In honor of I’ll Have Another, here are some odds and ends about him, Seabiscuit and horse racing in general:

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“Retirement”

Posted on November 26, 2011

valentino
One of the more ill-considered first questions I’ve asked in an interview: “You’ve been working nonstop for five decades. What is it like for you to be a retiree?”
It was 2008 and my interview subject was fashion designer Valentino Garavani, famous worldwide for dressing some of the world’s most fashionable women (i.e. not me) in ladylike suits and gowns.
His response to my question was testy and telling:
“I am not some old man retiring. I moved in a new direction. I didn’t want to work the schedule of fashion, one that is hectic and heavy. And I have the right to do what I want.”
Yes.
Yes you do.
Please don’t hang up on me.
Part of Garavani’s new direction has been an acknowledgement of the old. A year after opening design archives at his Paris-area chateau, he will launch a virtual museum on December 5.
According to New York Magazine’s “The Cut” blog, the site:
will include 300 iconic dresses from over 50 years of Valentino’s career as a designer, including Julia Roberts’s 2001 Oscars look and Jacqueline Kennedy’s couture wedding dress, among others, all showcased in 3-D, animated galleries alongside sketches and design notes. The museum will also include an extensive media library of the fashion house’s illustrations, ad campaigns, editorials, red carpet images, and 95 fashion show videos. Should the contents be physically displayed somewhere, 107,500 square feet of space would be needed.
Valentino told New York Magazine that he sees the web site as part of his legacy. It is “important to remember things of the past, to review the fashion that has shaped our lives.”

One of the more ill-considered first questions I’ve asked in an interview: “You’ve been working nonstop for five decades. What is it like for you to be a retiree?”

It was 2008 and my interview subject was fashion designer Valentino Garavani, famous worldwide for dressing some of the world’s most fashionable women (i.e. not me) in ladylike suits and gowns.

His response to my question was testy and telling:

“I am not some old man retiring. I moved in a new direction. I didn’t want to work the schedule of fashion, one that is hectic and heavy. And I have the right to do what I want.”

Yes.

Yes you do.

Please don’t hang up on me.

Part of Garavani’s new direction has been an acknowledgement of the old. A year after opening design archives at his Paris-area chateau, he will launch a virtual museum on December 5.

According to New York Magazine’s “The Cut” blogthe site:

will include 300 iconic dresses from over 50 years of Valentino’s career as a designer, including Julia Roberts’s 2001 Oscars look and Jacqueline Kennedy’s couture wedding dress, among others, all showcased in 3-D, animated galleries alongside sketches and design notes. The museum will also include an extensive media library of the fashion house’s illustrations, ad campaigns, editorials, red carpet images, and 95 fashion show videos. Should the contents be physically displayed somewhere, 107,500 square feet of space would be needed.

Valentino told New York that he sees the web site as part of his legacy. It is “important to remember things of the past,” he said, “to review the fashion that has shaped our lives. I would call it ‘Future Memory.'”