Posts tagged “archives

UA Little Rock to host March 11 Conversation with David Montague, Paige Bowers

Posted on March 3, 2021

The University of Arkansas at Little Rock will host a virtual conversation with authors David Montague and Paige Bowers to discuss their new book on the life and legacy of the U.S. Navy’s ‘Hidden Figure’ Raye Montague.

The event, “Overnight Code: A Conversation with Paige Bowers and David Montague,” will take place from 12:30-1:30 p.m. Thursday, March 11. Donna Terrell, the award-winning anchor of FOX16 News since 2004, will moderate the conversation.

“It is a privilege for the UA Little Rock Downtown Center and the Center for Arkansas History and Culture to work with David Montague and Paige Bowers to bring the extraordinary life of Raye Montague to our community through their discussion and the rich assortment of archival material that her family so kindly gifted to the university,” said Dr. Deborah Baldwin, associate provost of collections and archives at UA Little Rock. “Raye Montague’s story is an inspiration to all of us and a legacy to be protected.”

Montague, executive director of online learning and faculty mentoring at UA Little Rock, and Bowers, a nationally published news and features writer, released “OVERNIGHT CODE: The Life of Raye Montague, the Woman Who Revolutionized Naval Engineering,” in January.

The book tells the story of Montague’s mother, Dr. Raye Montague, an internationally registered professional engineer with the U.S. Navy who is credited with creating the first computer-generated rough draft of a U.S. naval ship.

UA Little Rock Downtown and the Center for Arkansas History and Culture are co-hosting the event in celebration of Women’s History Month and Diversity Month. In addition to the virtual conversation, UA Little Rock Downtown is hosting an exhibit of materials on display from the center’s Raye Montague Collection as well as some items donated from David Montague. The collection can be seen at UA Little Rock Downtown from March 11-31.

“We are grateful to UA Little Rock for hosting us in what promises to be a very special book talk,” David Montague and Paige Bowers said. “Not only will we be able to discuss the narrative arc of Raye Montague’s remarkable life, but we will be able to further illuminate it with her personal artifacts that are being lovingly preserved at the Center for Arkansas History and Culture. Archives like these are vitally important to the community at large, giving us tangible reminders of who we are and what we can become. Raye’s collection there is perfect proof of that.”

The collection includes Montague’s awards from the Arkansas Women’s Hall of Fame, the Arkansas Black Hall of Fame, the Arkansas Academy of Computing, and the National Computer Graphics Association. They also include a scrapbook and sweatshirt from Montague’s sorority, Alpha Kappa Alpha, and a framed photograph of a battleship that Montague designed digitally.

The event is free and open to the public and can be viewed via Zoom at ualr.at/overnightcode.

“Retirement”

Posted on November 26, 2011

valentino
One of the more ill-considered first questions I’ve asked in an interview: “You’ve been working nonstop for five decades. What is it like for you to be a retiree?”
It was 2008 and my interview subject was fashion designer Valentino Garavani, famous worldwide for dressing some of the world’s most fashionable women (i.e. not me) in ladylike suits and gowns.
His response to my question was testy and telling:
“I am not some old man retiring. I moved in a new direction. I didn’t want to work the schedule of fashion, one that is hectic and heavy. And I have the right to do what I want.”
Yes.
Yes you do.
Please don’t hang up on me.
Part of Garavani’s new direction has been an acknowledgement of the old. A year after opening design archives at his Paris-area chateau, he will launch a virtual museum on December 5.
According to New York Magazine’s “The Cut” blog, the site:
will include 300 iconic dresses from over 50 years of Valentino’s career as a designer, including Julia Roberts’s 2001 Oscars look and Jacqueline Kennedy’s couture wedding dress, among others, all showcased in 3-D, animated galleries alongside sketches and design notes. The museum will also include an extensive media library of the fashion house’s illustrations, ad campaigns, editorials, red carpet images, and 95 fashion show videos. Should the contents be physically displayed somewhere, 107,500 square feet of space would be needed.
Valentino told New York Magazine that he sees the web site as part of his legacy. It is “important to remember things of the past, to review the fashion that has shaped our lives.”

One of the more ill-considered first questions I’ve asked in an interview: “You’ve been working nonstop for five decades. What is it like for you to be a retiree?”

It was 2008 and my interview subject was fashion designer Valentino Garavani, famous worldwide for dressing some of the world’s most fashionable women (i.e. not me) in ladylike suits and gowns.

His response to my question was testy and telling:

“I am not some old man retiring. I moved in a new direction. I didn’t want to work the schedule of fashion, one that is hectic and heavy. And I have the right to do what I want.”

Yes.

Yes you do.

Please don’t hang up on me.

Part of Garavani’s new direction has been an acknowledgement of the old. A year after opening design archives at his Paris-area chateau, he will launch a virtual museum on December 5.

According to New York Magazine’s “The Cut” blogthe site:

will include 300 iconic dresses from over 50 years of Valentino’s career as a designer, including Julia Roberts’s 2001 Oscars look and Jacqueline Kennedy’s couture wedding dress, among others, all showcased in 3-D, animated galleries alongside sketches and design notes. The museum will also include an extensive media library of the fashion house’s illustrations, ad campaigns, editorials, red carpet images, and 95 fashion show videos. Should the contents be physically displayed somewhere, 107,500 square feet of space would be needed.

Valentino told New York that he sees the web site as part of his legacy. It is “important to remember things of the past,” he said, “to review the fashion that has shaped our lives. I would call it ‘Future Memory.'”